Working in ceramics is like a gift from another time, a space apart, where one is allowed to focus, truly exist in the moment, and to communicate in the rare vocabulary of form. Handmade pottery may be superfluous in a world of easily procured, mass-produced, teapots and throwaway coffee mugs. But surrounding ourselves with a few pieces made by hand helps to right the balance, slow us down, and to bring mindfulness to daily routine.
My intent is to create objects with integrity of form and purpose, although I will gladly give form the upper hand. The form is advised by nature: organic, pure, simple, and inherent in the relationship of clay to wheel to artist. Function is not only the intended use of the pot, but also simply to be a thing of integrity.
My raw material for this show is porcelain, high fired and finished in a variety of textures, ancient glazes, and simple design. When these pieces are used in the home, pouring olive oil or wine becomes a bit festive, a cup of tea reveals its ritual, and entertaining friends and family becomes a vessel of communal appreciation. the commonplace gives way to the unique.

Lorin Klein Costolo

The challenge of creating an object which functions aesthetically as well as physically has provided me with unending inspiration. The history of function synonymous with the medium, and the close relationship between material and process is what initially captured my interest and continues to keep my interest in clay.
I create celebratory objects that are meant to be used in the daily rituals of our lives, providing a vehicle for human connection and contemplation. Function and utility have therefore played important roles in defining my work. The objects I create are the result of a careful balance between form, function, line, color, and visual texture.
I use a mid-range porcelain, which I have formulated and mix myself, that is fired to cone 6 in an electric kiln. I use a Randall kick-wheel to create most of my work. Each piece starts with a design on paper, and then I tailor a technique to the design, using extruders, press molds, slump and hump molds, in addition to the pottery wheel and hand building. Using a thick white slip I create various textures on the surfaces of some of my pieces. Using cut paper and plastic, I can mask off certain areas creating patterns within the textures. After bisque firing to cone 06, glazes are applied by dipping, pouring and brushing. Wax resist is frequently used to mask off areas and to create patterns.

Brenda Quinn