The challenge of creating an object which functions aesthetically as well as physically has provided me with unending inspiration. The history of function synonymous with the medium, and the close relationship between material and process is what initially captured my interest and continues to keep my interest in clay.

I create celebratory objects that are meant to be used in the daily rituals of our lives, providing a vehicle for human connection and contemplation. Function and utility have therefore played important roles in defining my work. The objects I create are the result of a careful balance between form, function, line, color, and visual texture.

I use a mid-range porcelain, which I have formulated and mix myself, that is fired to cone 6 in an electric kiln. I use a Randall kick-wheel to create most of my work. Each piece starts with a design on paper, and then I tailor a technique to the design, using extruders, press molds, slump and hump molds, in addition to the pottery wheel and hand building. Using a thick white slip I create various textures on the surfaces of some of my pieces. Using cut paper and plastic, I can mask
off certain areas creating patterns within the textures. After bisque firing to cone 06, glazes are applied by dipping, pouring and brushing. Wax resist is frequently used to mask off areas and to create patterns.

– Brenda Quinn